Download e-book for kindle: Digital Storytelling: The Narrative Power of Visual Effects by Shilo T. McClean

By Shilo T. McClean

Computer-generated results are frequently blamed for undesirable Hollywood videos. but whilst a critic complains that "technology swamps storytelling" (in a assessment of Van Helsing, calling it "an instance of every thing that's improper with Hollywood computer-generated results movies"), it says extra in regards to the weak spot of the tale than the power of the expertise. In Digital Storytelling, Shilo McClean indicates how electronic visible results could be a instrument of storytelling in movie, including narrative energy as do sound, colour, and "experimental" digicam angles -- different leading edge movie applied sciences that have been as soon as criticized for being distractions from the tale. it's time, she says, to reconsider the functionality of electronic visible effects.Effects artists say -- opposite to the critics -- that results continuously derive from tale. electronic results are part of construction, no longer post-production; they're turning into a part of the tale improvement technique. Digital Storytelling is grounded in filmmaking, the scriptwriting method particularly. McClean considers an important questions about electronic visible results -- whether or not they undermine classical storytelling constitution, in the event that they constantly name realization to themselves, no matter if their use is restricted to yes genres -- and appears at modern movies (including a chapter-long research of Steven Spielberg's use of computer-generated results) and modern movie thought to discover the solutions. McClean argues that to think about electronic visible results as easily contributing the "wow" issue underestimates them. they're, she writes, the valid inheritors of movie storycraft.

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Digital Storytelling: The Narrative Power of Visual Effects in Film (MIT Press) by Shilo T. McClean

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